Philippe Le Miere 'Privacy' romantic

Philippe Le Miere 'Privacy' romanticPhilippe Le Mieres digitally rendered landscapes were born as free form sketches, drawn on the computer. They then grew into 3D computer generated models, virtual worlds Le Miere could roam, finding the perspective which would form his work of art. Privacy is not a real place coordinates you can swivel but cant locate. It may be informed by the surroundings of Mornington Peninsula where the artist grew up, as well as the history of landscape painting,

David Larwill made his artistic debut as a founding member of Melbourne's Roar Studios

this work testifies to an artist whose artistic vision was only matched by his activism

he propelled the viewer into his world

'Canto no XIX'

'Daintree Creek' 1992

In the dance of Whitington’s marks are infinite allusions: the ocean

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An exemplar of his work

A meme impressioned in paint

titled and numbered in pencil in margin below image: 28/40 Sunset V

Brett Whiteley: the graphics 1961-1992

waste and renewal